In form express and admirable (in a sense lying, in a sense not)

8 Oct 2013–14 Nov 2013


Drawing on archive material, documentation, historical and contemporary works, this exhibition proposes a taxonomic presentation of the varying forms and conditions under which sculptural practice and the subjective experiences it might produce are controlled, engineered and enacted. The exhibition, and accompanying symposium and screening programme explore materiality, generative processes, modes of encounter and narrative and structural agency. Curated by Mike Cooter.

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