Concrete poet, arts organiser, publisher and printmaker Bob Cobbing (1920-2002) is best known for his performed works in which language is anarchically stretched and dismantled through the deployment of shouts, groans and hisses, interspersed between recognisable tracts of spoken word. He also made innumerable publications and prints, visual scores that blur the distinction between decipherable text and abstract imagery, making use of typography, image and found texts, and using the typewriter, printing press, screen print, photocopier and computer to replicate, destroy and remake.