‘My fake-cake of roller-coasted, illuminated sites and sights of wonder-wandered-off into realms of cardboard, slag and other cheap tricks is nearly set….’ (excerpt from publication essay by Sally O’ Reilly) Only The World Remains, an exhibition by Bridgette Ashton and Nicole Mollett, centres upon notions of Artificial Landscape and features sculpture, installation, print and magic lantern slide projections. The works depict elements and characteristics present in caves, grottoes and follies; reimagining histories, fragments and stories relating to Vauxhall Pleasure Gardens once located just around the corner from the gallery.