Model Court investigate the spatial, aesthetic and geopolitical aspects of legal procedure. Using video, sound, drawing and installation, the group interrogates the production, dissemination and transmission of the law, addressing the many technical problems encountered in the administration of international justice today. Their exhibition at Gasworks comprises a newly commissioned film and installation focusing on the recently concluded trial of François Bazaramba, a Rwandan national convicted of genocide by a small district court in the Finnish town of Porvoo. Bazaramba’s trial was particularly unique because it made use of so-called ‘telepresence’ technologies in unprecedented ways.