This October, Serpentine will stage The Call, the first solo exhibition of Berlin-based artists and musicians Holly Herndon and Mat Dryhurst. Presented at Serpentine North from 4 October 2024 to 2 February 2025, the exhibition will address current societal concerns with AI, and platform musical ensembles from across the UK in a participatory experience for the public.
Serpentine Arts Technologies’ commitment to understanding the ways in which artists interrogate and experiment with AI systems has been integral since the department's inception in 2014. Major AI projects that have emerged from the programme include Cécile B Evans (2014-2019), Ian Cheng (2018), James Bridle (2016 – 2021), Jenna Sutela (2019), Pierre Huyghe (2018 – 2019), Hito Steyerl (2019), Daisy Ginsberg (2022 – 2024) and Refik Anadol (2024). All these pioneering projects have bridged the virtual with the physical worlds.
Centred on the collective creation of new vocal datasets, governance frameworks and polyphonic AI models, The Call positions the process of data collection and AI model-training as artmaking. This results in an experience of human and machine voices in which the audience becomes entwined with, and at times part of, the choir.
The Call will both show how AI can enhance the power and artistry of the voice, and envisage new cultural, legal, and technical methods necessary to build AI systems collaboratively and ethically.