In these paintings we find any combination of fulsome fruit, expired game, folds of cloth, or consumptive fire, and these images may appear to be either suspended in time and space or are positioned as if on ledges that prevent the objects from any further descent. Bennett deploys these motifs to meditate on the temporality of the finite and to contemplate life, death and the after-life. Her latest work can be seen in relation to the ‘irreconcilable concept of presence and absence, life and death’ that Yves Klein explored in his Fire Paintings and in his ‘Leap into the Void’ project.