Servini and Willis operate divergent painting practices but here both converge to produce work dealing with spaces of uncertainty. Willis’ practice uses violent expression, contorted figures and oblique text, creating divergent meanings through their union. Servini takes images remediated through many filters of context until all meaning is lost, only to be reapplied through its distilled recreation. Together they take their duel themes of construction and destruction and with them create, erase, fold and reveal spaces that simultaneously attach and lose any subjective values.