What does it mean to screen a work, initially conceived to be shown on a TV monitor, on a cinema screen?
Focusing on pioneering works produced in Europe (1960-1980), this two-day programme questions the possibilities that emerge from this distortion. These works were either made using synthesizers, largely designed for projection, or intended for television and shot on 16mm film.
Day one of this programme screens works that include kaleidoscopic effects and sound experiments.
£10 / £5 for Members / £5 Concessions and Tate Collective