“These paintings are meditations on the history of art, but they are also alive to more urgent, emotional questions surrounding existence itself. Part of the joy of seeing a fragment of Mary Moser resurrected in a contemporary context is the glimpse it offers into Boulton’s communing with the artist. Boulton extracts a rose from Moser’s canvas and through an idiosyncratic method shaped by memory and dream it resurfaces as some splash of vermilion in the rich, sprawling ground of one of her canvases. Look closer, and it’s possible to see these women’s eyes meet and their fingers brush.”
(Excerpt from Acts of Cross Pollination: Miranda Boulton’s Still Life by Dr Rebecca Birrell, Leverhulme Early Career Fellow in the School of Art History at the University of St Andrews. She was formerly the Curator of 19th and 20th Century Paintings and Drawings at The Fitzwilliam Museum, University of Cambridge)