Internationally recognised Brazilian artist Cinthia Marcelle's artistic practice is a consistent continuation of socio-political art production in 20th-century Brazil, combining material experimentation with conceptual rigour and unique participatory practice. Since the late 1990s, Cinthia Marcelle has been creating poetic-metaphorical images that question conventional ways of seeing and behaving and disrupt habitual processes and orders. Central to em-entre-para-perante [in-between-to-towards] is the metaphor of prison and escape, which serves the artist as a formal-aesthetic means to reflect on how established knowledge systems determine and limit our thinking.