BEERS London presents Bitter Nostalgia, with artists Hyangmok Baik and Adébayo Bolaji, at Saatchi Gallery
The pairing of South Korean painter Hyangmok Baik (b. 1990) and British-Nigerian artist Adébayo Bolaji (b. 1983) offers a celebration of nostalgic themes as critical, thoughtful, and challenging. Both artists transcend factuality to incorporate concepts of memory, emotion, the past, and our processes of recollection as individuals and as the greater public.
By definition, nostalgia is a term with arguably pejorative connotations. To view the world through ‘rose-coloured glasses’ suggests an inability to remain critical or unbiased. Further, we’ve become trained sceptics; our cynicism is applauded, whereas unbridled optimism or joy is seen as somehow lacking in critical-thinking or judiciousness. How does this reflect in the ways in which we record our past and personal histories?
It is often seen as the artist’s duty to record a more empathetic view of our life and times. But at what point do we become wary of such ‘sentimentalized’ versions of history? The musician sings; the author writes; the poet records in verse and line. But a painter’s duty is to recollect and record their emotional connectivity to a personal as well as a public sphere. Perhaps painting itself is a sort of ‘act of defiance’, whereby the mechanics of creation arise from an action and reaction to so-called cold factuality.
As a global community, we seem keen to shutout recent recollections of a pandemic, global warming, the LGBTQIA+ or BLM movements and/or reactionary groups, gun control, the death of HM the Queen, and various uprisings or other global catastrophes. Is it natural to want to recollect our pasts as inherently good? Or rather, to find and celebrate the goodness without reverting to schmaltziness?
Both Baik and Bolaji aim to celebrate activism and our historicity through a critical lens and exuberant palette. Each artist handles these themes in related, albeit distinct methods, and this exhibition endeavours to explore this further.