℧R is a performance for a faceless body, AI algorithms, lights and the vibrational force of sound, developed and produced by the Performance-Theatre group Fronte Vacuo (Marco Donnarumma, Margherita Pevere and Andrea Familari), as a new rhizome of their project Humane Methods. ℧R reflects on violence as a foundation of current algorithmic societies: a violence of instructions, of systems, of infrastructures created with the specific purpose of abusing all living beings. Such systems work through loops, organised repetitions. Humans make instructions, machines repeat instructions, living things suffer instructions, on and on and on. The piece takes the loop as a starting point to combine multi-sensorial stimulation with human-computer interaction and somatic practices to test the seeming impossibilities of bodily articulation and repetition. Embodied in Marco Donnarumma’s musical instrument XTH Sense, an interactive, machine learning algorithm transforms the inner sound of muscles, blood, and bones into a real-time choreography of movement, sounds and light.
Gazeless, a faceless figure walks and prays, walks and prays, walks and, entranced, pries into the darkness. Its red cloth sanctifies it. Its missing face alienates it. The walk is a loop, a prayer, an aggression, an annihilation and a transformation. An AI computer vision system watches over the body, attempting to distinguish the body from the ‘noise’ surrounding it. The AI wants to represent what it sees, but the system works against itself in a paradoxical loop; the more the algorithm learns to see, the brighter the light becomes. In the eyes of the algorithm, the body is eaten by the storm of light. The flesh of the nameless’ limbs is amplified: microphones onto the muscular tissue magnify the inner sonic tumult of the body. The inner tension resounds in the rising brightness. Movement is sound, repeat; sound is vibration, repeat; vibration is pressure, repeat; pressure is released. A grinding howling grows ominously, repetition turns into dysfunction, brightness turns into blindness. Is the unnamed going to reach the light and burn, just as moths do?
The performance is followed by a conversation between Fronte Vacuo and Nimrod Vardi (arebyte’s creative director) unfolding the ideas, research and artistic methodology behind the Humane Methods saga (2019-ad infinitum).
The only project of the group, Humane Methods exemplifies the group's conception of live art as a social experiment. The saga consists of happenings, living installations and stage productions where dance, theatre, bioart, interactive music, living scenography and AI technology integrate into pulsating ecosystems. Each work in the saga acts as a branch of a rhizome: each dives into different facets of the same theme and world, with an ever growing cast of human and non-human characters. The works in the series – ΔNFANG (2019), ℧R (2020), ΣXHALE (2021-22) and δISSOLUTION (in progress) – combine in different ways performing arts with technology and the human with the non-human to reveal the violence of algorithmic societies through sensory, physical and human strategies. The conversation will be followed by a Show & Tell session where Fronte Vacuo will invite visitors to discover the inner working of the machines used in the performance, interact with <dmb>, the group's custom-made, computer vision AI, and talk face to face with the artists about the multiple technological, artistic and theoretical layers of the group's practice.
The performance is followed by a conversation between Fronte Vacuo and Nimrod Vardi (arebyte’s creative director) unfolding the ideas, research and artistic methodology behind the Humane Methods saga (2019-ad infinitum).
