Sam Keogh works with installation, sculpture, performance, drawing and collage. Live performances unfold in intricate built environments: installations incorporating diverse materials, from collages and painted panels to plastic skeletons, ceramics to gunge-soaked computer desks, sculptures of severed hands and discarded apple cores, plants and bits of rubbish. These grotesque concoctions of image, object and detritus serve as props and visual cues for performances, but spill over with idiosyncratic detail and extraneous information – the physical remnants of a fictional world, they present an indeterminate space in which materials, memories and affects begin to smudge into each other. Keogh’s performances interweave research on diverse topics into meandering semi-fictional monologues that make surprising connections between political movements, biological processes, archaeology, housing, science fiction, or pop cultural phenomena. Like the sprawling and rebellious environments that house them, they present “a strange and abject cosmology of trash, contamination and revolt”.