Jonathan Monk’s investigations into memory, ephemera and artistic process emerge from his practice as an inveterate observer, participant and collector of both popular culture and conceptual art. In a new series of collages, collectively entitled Exhibit Model Detail with Additional Information, Monk charts and revisits some of his own exhibition history using photographic evidence of previous solo shows, harking back to the first museum presentation featuring wallpaper of his own past work at Kunsthaus Baselland in 2016. Copy and pasted, magpie-like, onto the backdrop of these grisaille, archival documents are various touchstones or influences that went into the depicted display, many of which come from Monk’s own treasure trove of personal or artistic memorabilia. Actual objects – from teapots and vinyl records to cacti – are perched on the picture plane, alongside framed portraits of his artistic heroes, printed invitation cards and individual works of art in their own right.