Taking a cue from Nathan Coley's seminal text work, currently on display in London as part of ‘Sculpture in The City’, Parafin’s summer programme creates a series of shifting dialogues and encounters between works by the artists the gallery represents. Coley’s work highlights the ambiguity of language, and can be read as a statement of fact, an exhortation, a critique or even a lament, and this series of staged encounters will be similarly open. Multiple potential meanings are produced by changing contexts. Every week a different group of works will be placed ‘in focus’ in the front part of the gallery's main space, while the rest of the gallery will be given over to an ongoing group hang.