Mary Ramsden’s paintings are composed of basic but indefinable shapes, marks, fields of colour and material. They appear so stripped back, so apparently lacking in artifice, coruscating brushwork and elaborate composition that it would be easy for a casual viewer to dismiss them. However a closer look reveals that they are arrived at by a series of laborious experiments, of thinking and rethinking during the process of painting. This process is defined by an infinite series of decisions, the refusal and acceptance of chance, the vagaries of the eye in coordination with the hand and the conscious effort to resist representation and referentiality whist acknowledging the impossibility of this.