British artist Marianna Simnett creates fable-like film, performance, sound and light installations that examine the sense of intimacy yet anxious unfamiliarity we experience with our own bodies. She particularly focuses on the means we deploy to control these bodies, both technological and cultural. The exhibition presents a group of recent work: three films The Udder (2014), Blood (2015), and Blue Roses (2016) – installed as a trilogy for the first time – alongside a sound and light installation Faint with Light (2016).