Right Twice a Day is a new sculptural work by Glasgow-based artist, Rachel Adams. Its design is a culmination of features drawn from a traditional grandfather clock and The Maiden, a guillotine that was used between the 16th and 18th centuries as a means of execution in Edinburgh, Scotland. The work responds to the context of The School House by bringing together two historical references: the concept of the modern restaurant, which was born during the French revolution, and decimal time, which was enforced for a short period during the Terror, shortly afterwards.