The exhibition features two of Bradford’s ‘Chime’ pieces alongside a performance event involving the artist on the opening night. Bradford’s work exists as an expression of this ‘newness’, the accumulative effect of personal and universal histories of action, a search to progress the aesthetics that determine our cultural position. His art is often at the edge where sculpture and painting converge, bridging a gulf between concept and material. The exhibition ‘Meant To Be’ constitutes a moment at the forefront of ‘art’, soon to be swept away by the unrelenting progression of time.