Helene Appel’s attention to detail is manifest in a forensic gaze onto familiar objects from an aerial view: the full-to-the-brim kitchen sink, uncooked pasta, a puddle of spilled water, a Pollack fillet. The discarded, the everyday, and the domestic are represented objectively and yet, the very act of painting these motifs admits tender attention. Her forthcoming solo exhibition of new paintings at The Approach attest the German artist’s precision and diligence, and asserts a quiet defiance to the cliché of the ‘intuitive’ gesture of the genius painter.