Andreas Eriksson's presentation at Stephen Friedman Gallery comprises a new series of large-scale handwoven tapestries and a majestic oil and acrylic painting. The Swedish artist is known for his subtly textured paintings of the natural world, describing them as “existential landscapes”. This new body of tapestries expands the artist’s formal language and demonstrates the connections between these two distinct practices. Rendered in subtle hues of undyed yarn, this body of tapestries offers a unique window onto the artist’s rural surroundings in Medelplana, Sweden. Hovering between abstraction and figuration, these meditative works can be interpreted as patchwork topographies or details of organic forms such as trees, earth and rock formations.