An abstract painter who came to prominence in the mid-sixties with environmental works and paintings of simple shapes in near primary colours, Peter Joseph has recently completed a series of freer and more openly lyrical works. This new vocabulary, or The New Painting as he calls it, finally breaks away from the formal restraint of over thirty years, featuring angular and biomorphic shapes floating over a neutral ground, which occasionally disintegrate or collapse into semi-translucent ethereal washes. Joseph’s consistent conceptual discipline is still evident in his practice of first collaging together small swatches of painted canvas, before transferring and flattening these small, collaged works in order to re-enact or re-create them as large-scale paintings.