Ryan Gander’s complex yet playful practice is characterized by allusion, where focal points are teasingly hidden and meaning is subtly implied. Stimulated by existential queries and investigations into what-ifs, each one of his artworks acts as a vessel to tell a new story. His latest exhibition with Lisson Gallery, titled ‘The Self Righting of All Things,’ will feature new site- speci c installations that draw on notions of time, balance and instability. A conversation will take place on 14 April in London between Gander and Gábor Domokos, the Hungarian mathematician and engineer best known for his 2006 discovery of gömböc, a class of three-dimensional convex bodies that have one stable and one unstable point of balance.