Rosie McGinn's current practice approaches questions of contentment and elation alongside a fast-paced, unsatisfied and entirely visual society. The work looks at physically stretching materials to their limits; this has recently surfaced through a combination of video, installation and sculptural pieces – kinetic and static.
Recent commissions include; ART IN STORE, Balenciaga, New York [2022]; Get in There [with OOF Magazine], Tate Exchange, London [2019] and The Bass 2, The Bass Museum, Miami [2019].