Dr. Amy Cutler is a live cinema artist, composer, ecologist and designer. Her background as a geographer informs her AV interventions and speculative cinema designs, each aiming to unsettle the dominant formula of our environmental perspectives (including the sovereignty of ‘so-called Man’). Recent projects include The Live Earth Show on the Gas Tower spatial cinema stage at Glastonbury Festival 2022; Living Nature Cinema, a 2022–23 residency on bio-art and de-extinction practices with the Leverhulme Centre for Anthropocene Biodiversity; LULL (2021), an ambisonics soundscape at Iklectik using interactive ultra-sonar sensing and inspired by jellyfish blackouts and strike actions; the touring live cinema opera NATURE’S NICKELODEONS, which most recently took place at The Exploratorium, San Francisco; and bespoke moving-image observatories for locations including Lud’s Church ravine/landslip and Pendle Hill, with its history as an experimental site for atmospheric sensing. She is interested in pathetic fallacy, expanded media and the urgency of new designs for audience in the Anthropocene. She has also released five albums, ranging from experimental electronics to rage aria to live metallurgy.