new exhibitions
  print view (one long list for each region displayed in a separate window)
DUBLIN CITY GALLERY THE HUGH LANE

Charlemont House, Parnell Square North, Dublin 1
00 353 1 222 5550

www.hughlane.ie
info.hughlane@dublincity.ie

Tue-Thur 10-6, Fri&Sat 10-5, Sun 11-5

Buses to Parnell Sq.; Luas to Abbey St.

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past

 
IRISH MUSEUM OF MODERN ART

IMMA@RHK at Kilmainham, & IMMA@NCH at Earlsfort Terr., Dublin .
(00 353) 1 612 9900

www.imma.ie
info@imma.ie

Tue-Sat 10-5.30, except Wed 10.30-5.30, Sun 12-5.30 Closed Mon & Good Friday

I KNOW YOU
Apr 19 - Sep 1, 2013
I knOw yoU is a dynamic exhibition by a new generation of young European artists.

Click to enlargeWILLIE DOHERTY : SECRETION
May 21 - Sep 1, 2013
IMMA at NCH

CLOUD ILLUSIONS I RECALL
Jun 22 - Aug 25, 2013
Private view Fri Jun 21 6pm - 8pm
(@IMMA, Kilmainham)

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KERLIN GALLERY

Anne's Lane, South Anne St, Dublin 2
00 353 1 670 9093

www.kerlin.ie
gallery@kerlin.ie

Mon-Fri 10-5.45, Sat 11-4.30

Click to enlargePHILLIP ALLEN : OXBLOOD
Jun 7 - Jul 20, 2013

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PROJECT ARTS CENTRE

39 East Essex Street, Temple Bar, Dublin 02
00 353 1 881 9613

www.projectartscentre.ie
gallery@projectartscentre.ie

Mon - Sat 11-8

Click to enlargeGARDEN : A SOLO EXHIBITION BY NIAMH O'MALLEY
Apr 26 - Jun 22, 2013 FINAL WEEK
A newly commissioned solo exhibition by Irish artist, Niamh O'Malley.
Known for her painting and sculptural interventions, and more recently for her explorations of monumental sites, O’Malley will take us into a personal landscape using video and sculpture – the garden which she and her family shape and create with the changing seasons. Featuring a new video installation and a large painting on glass, this landscape will be revealed through screens, mirrors and windows.The video work will show a mirror panning and tilting, reversing the normal flow of light and camera movement, slowly and silently illuminating the garden in an elusive dance. Accompanying the video work and set into a wooden seating platform, a large glass plane will have textures and marks painted on both sides, creating a painting which is visible from both the front and back – a limitless image which complicates ideas of reverse, background, and negative space.

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