new exhibitions
KATE MACGARRY

27 Old Nichol Street, E2 7HR
020 7613 0515

www.katemacgarry.com
mail@katemacgarry.com

Wed-Sat, 12-5pm

undergroundLiverpool Street undergroundShoreditch High St



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ROSE FINN-KELCEY
Feb 14 - Apr 4, 2020
Kate MacGarry is pleased to present a solo exhibition of works by Rose Finn-Kelcey (1945-2014). The exhibition will focus on key pieces from the 70’s to the 90’s, exploring a breadth of work central to Finn-Kelcey’s practice. She first came to prominence in the early 1970s as an artist central to the emerging communities of performance and Feminist art in the UK. The nature of Finn-Kelcey’s work is richly diverse, both in form and subject matter, however it is consistently conceptual and “characterised by a dry wit that belies the formidable intelligence and deep humanity that drove her practice [1]”.She deftly offers humour as a point of access into her work, allowing a wide and varied audience to consider topics as varied as life, death and spirituality communicated with great depth and profundity.

RANA BEGUM
Aug 31 - Oct 31, 2020

Click to enlargeHELEN CAMMOCK : I DECIDED I WANT TO WALK
Sep 10 - Oct 17, 2020
Kate MacGarry is pleased to announce Helen Cammock’s first exhibition at the gallery. Cammock explores social histories through film, photography, print, text, song and performance. She is motivated by her commitment to questioning mainstream historical narratives around blackness, womanhood, wealth, power, poverty and vulnerability. Mining her own biography in addition to the histories of oppression and resistance, multiple and layered narratives reveal the cyclical nature of histories.
 
The exhibition features Cammock’s new work 'They Call It Idlewild' (2020). The film acts as a reflection on the politics of idleness and what it means creatively, emotionally and culturally to be idle at a time when the questions are being asked more widely about the physical and emotional costs of hyper-productivity, required by Neoliberalism. Cammock explores the processes of idleness through visual and poetic intertextuality drawing on writers such as Audre Lorde, Mary Oliver, James Joyce and Jonathan Crary. Part way through the film, Cammock begins to sing Johnny Mercer’s depression-era song ‘Lazy Bones’, drawing an explicit link between several historical periods, a reminder of the pervasiveness of racial stereotypes around laziness and the toxic hypocrisies of the slave business and land-owning classes. 'They Call it Idlewild' asks; who gets to be lazy?
 
'They Call It Idlewild' was first exhibited at Wysing Arts Centre, Cambridge in March 2020 following a residency responding to the forgotten histories, photographs and artworks uncovered in the organisation’s archive. Cammock’s film has gained currency with the pandemic. Observation and patience are offered alongside urgent conversations of complacency and collusion.
 
A new project of screen prints respond to a moment that is both past and current - political and social - individual and collective - asking how one exists without the other. Through the poetic quality and potential of language these propositions, and perhaps provocations, ask us to pay attention.
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