JAMIE CREWE: FEMALE EXECUTIONER
Jan 26 - Mar 26, 2017
A solo exhibition of newly commissioned video, print and sculpture by Glasgow-based artist Jamie Crewe. Focusing on French writer Rachilde’s controversial 1884 novel Monsieur Venus, the exhibition explores what happens when a queer, transfeminine artist tries to rehabilitate an historical work of fiction which seems to offer them ancestry.
SPRING OPEN STUDIOS
Mar 18, 2017 to 12:00am
With international residency artists: Cocoy Lumbao (Philippines), Adriana Minoliti (Argentina), Catarina de Oliveira (Portugal), Ben Rosenthal (Switzerland).
FREE entry, no booking required.
FILIPA CÉSAR & LOUIS HENDERSON : OP-FILM: AN ARCHAEOLOGY OF OPTICS
Apr 27 - Jun 25, 2017
Private view Wed Apr 26 6:30pm - 8:30pm
The exhibition comprises a newly commissioned film and installation exploring how optical technologies of military and colonial design – from lighthouse Fresnel lenses to global satellite navigation systems – both inform and are informed by Western models of knowledge. Taking a critical approach to the ideologies behind the development of these instruments of guidance and surveillance, the artists consider how imperial gestures of discovery, revelation and possession are embedded in associations between seeing and understanding, light projection and enlightenment.
MONIRA AL QADIRI : THE CRAFT
Jul 13 - Sep 10, 2017
Private view Wed Jul 12 6:15pm - 8:30pm
The Craft is the first UK solo exhibition by Amsterdam-based artist Monira Al Qadiri. The exhibition includes a short, semi-autobiographical science fiction film, sculptures and photographs in which international diplomacy is envisaged as an alien conspiracy. Under this umbrella, embassies, conferences, cultural exchange and political activism are represented as elaborately staged ways to conceal diplomats’ true dealings with the third kind. Poking fun at collapsing postcolonial empires, these works also explore how the current rise of nationalism and political populism trivialises formerly common ways of being international in the world, depicting the era of diplomatic rituals, national grandeur and political grandstanding as a nostalgic and lovable ‘other world’ beyond reach.
Co-commissioned by Gasworks and the Sursock Museum, Beirut with support from Shubbak: A Window on Contemporary Arab Culture, 1–16 July 2017