new exhibitions
FRITH STREET GALLERY

17-18 Golden Square, W1F 9JJ
020 7494 1550

www.frithstreetgallery.com
info@frithstreetgallery.com

Reopening 7 Jul, Tue-Sat 11-5 (closed Sat in Aug); masks must be worn

undergroundPiccadilly Circus undergroundOxford Circus



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GREAT WORKS BY GALLERY ARTISTS
Jul 7 - Aug 7, 2020
We are delighted to announce that the gallery will reopen to the public on Tuesday 7 July. Visit us at Golden Square for a summer viewing of great works by gallery artists.
All visitors will be required to practice social distancing and wear masks in the gallery. To best facilitate this we will be operating at a reduced capacity and hand sanitiser will be made available for all.
Please contact us at info@frithstreetgallery.com if you have any further questions and check the Contact page on our website for details and schedule updates.

Click to enlargeDAPHNE WRIGHT : A QUIET MUTINY - PERSISTS
Sep 11 - Nov 14, 2020
Daphne Wright's work manoeuvres things into well-wrought but delicate doubt. Shifting between tautness and mess, it sets imagery, materials and language in constant metaphorical motion.
A quiet mutiny - persists follows on from the artist's recent exhibition A quiet mutiny at Crawford Art Gallery, Cork. This assemblage of objects, videos, and works on paper addresses the poignancy as well as the mundanity of everyday domestic life. Wright has created scenes that are imbued with melancholic familiarity; recreating in dried but unfired clay objects including a child's pushchair, houseplants and a fridge. The artist has chosen these things because of their momentary quality; they are only fleetingly valued in our daily lives. Wright is a careful and scrupulous observer and at first glance, all is usually calm and peaceful, but here the innocuousness of the utterly familiar takes on a strange and subtle sense of the ineffable.
The exhibition also contains two new video works. Song of Songs investigates the relationships adults have with more vulnerable family members. Is everyone ok? features an older man seemingly in poor health with his face painted like a lion and bearing the mental scars of a career spent in middle management. He repeats team-building clichés, interspersing these with personal responses to queries about his wife's health. The effect is unsettling as he resides at the interface between work and retirement, usefulness and redundancy.

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