new exhibitions
FREUD MUSEUM LONDON

20 Maresfield Gardens, NW3 5SX
020 7435 2002

www.freud.org.uk
info@freud.org.uk

Wed-Sun 12-5. Admission: £8 Adults, £4 Concessions, £6 Seniors, under 12s FREE

undergroundFinchley Road Finchley Rd & Frognal


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PLEASE CONTACT THE GALLERY FOR MORE INFORMATION
through Dec

TOBY ZIEGLER : THE GENESIS SPEECH
Sep 13 - Nov 26, 2017 FINAL WEEK
The Freud Museum London is proud to present Toby Ziegler’s exhibition The Genesis Speech. Taking its title from the final scene of Lindsay Anderson’s 1982 film Britannia Hospital, wherein the protagonist reveals his plans for the future of humanity, the series of sculptural and digital interventions weaves into the fabric of the Freud Museum’s collection.

Click to enlargeTOBY ZIEGLER : IN CONVERSATION WITH DARIAN LEADER
Oct 3, 2017 5:30pm - 6:30pm talk/event
As part of Frieze Week in London and to coincide with Toby Ziegler's exhibition The Genesis Speech, the Freud Museum will host the artist in conversation with psychoanalyst and author Darian Leader.
Free with admission - no need to book.
 
Adults: £8.00
Senior Citizens: £6.00
Concessions: £4.00 (students with valid ID cards, children aged 12-16, UK unemployed persons - with proof, disabled persons)

PROJECTIONS: DARREN ARONOFSKY : THE CINEMA OF OBSESSION
Jan 22 - Feb 5, 2018 7:00pm - 9:00pm talk/event
Three-week evening course
Mondays, 7:00pm-9:00pm
 
American film director Darren Aronofsky was once asked if he deliberately aims to make audiences feel uncomfortable. He replied, “I definitely want to make them feel something. I'm inspired by the Cyclone roller coaster in Coney Island, where I grew up. It is the greatest ride in the world. I've always tried to construct my films with the same structure: intense, on the edge of your seat.”
 
The influence of cinema masters Polanski, Buñuel and Cronenberg is evident in Aronofsky’s ambitious oeuvre, which is built on representing extreme states: isolationists preoccupied with abstract intellectual concepts, addicts consumed with the desire to chase the next mind bending high, public performers who brutally push their bodies and psyches beyond the edge. Aronofsky’s recent release, mother!, is a strikingly violent metaphor that makes the Cyclone roller coaster seem like a walk in the park. Reactions to his films are mixed - spectators either love or loathe the controversial auteur; he certainly isn’t for the faint of heart!
 
In this 3-week lecture series, six of Aronofsky’s films will be examined in categories relating to Fixation, Performance and Cosmology, referencing psychoanalytic concepts to shed light on the running theme of obsession throughout his body of work. We will engage closely with the director’s signature style (a combination of melodrama, psychological horror, fantasy and surrealism) as he portrays the devastating pitfalls and amplified pleasures of being driven by a singular, extreme passion. The motif of obsession communicates yearning, pain and love in a supercharged way - it is difficult to name a modern director who surpasses Aronofsky in authentically representing this overwhelming emotional experience on film.
 
Advance viewing is optional, select scenes and montages will be shown during weekly sessions (see filmography below).
 
Week 1 - FIXATION
Pi (1998): A paranoid mathematician searches for a primer that will unlock the universal patterns found in nature.
Requiem For A Dream (2000): The drug-induced utopias of four Coney Island characters are shattered when their addictions spin out of control.
 
Week 2 - PERFORMANCE
The Wrestler (2008): A faded professional wrestler must retire, but finds his quest for a new life outside the ring a dispiriting struggle.
Black Swan (2010): A committed dancer wins the lead role in a production of Tchaikovsky's Swan Lake only to find herself struggling to maintain her sanity.
 
Week 3 - COSMOLOGY
The Fountain (2006): A modern-day scientist struggles with mortality, desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife.
mother! (2017): A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.
 
PROJECTIONS is psychoanalysis for film interpretation. PROJECTIONS empowers film spectators to express subjective associations they consider to be meaningful. Expertise in psychoanalytic theory is not necessary - the only prerequisite is the desire to enter and inhabit the imaginary world of film, which is itself a psychoanalytic act.
 
MARY WILD, a Freudian cinephile from Montreal, is the creator of PROJECTIONS.
Full Price: £45
Students/senior citizens/unwaged: £36
Friends of the Museum: £36
 
Book Here:
www.eventbrite.co.uk/e/projections-darren-aronofsky-the-cinema-of-obsession-tickets-39224667035

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