new exhibitions
BLAIN|SOUTHERN

4 Hanover Square, W1S 1BP
020 7493 4492

www.blainsouthern.com
info@blainsouthern.com

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undergroundOxford Circus


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PLAYGROUND STRUCTURE
Aug 1 - Sep 16, 2017
The group exhibition Playground Structure takes its title from a 2008 photograph by Jeff Wall that depicts a climbing frame in a suburban park. The climbing frame is an invitation to play, and yet it also resembles an anonymous public artwork that might bring to mind a modernist grid or a constructivist sculpture. In the exhibition, Wall’s large-scale photograph will be exhibited with paintings from 1969 to the present day by Amy Feldman, Mary Heilmann, Rachel Howard, Jeremy Moon, Ed Moses, Joan Snyder, Daniel Sturgis and Dan Walsh. The exhibition invites viewers to imagine each painting as an open-ended ‘playground structure’, reconceiving the grid as a utopian space of freedom.
press release

RACHEL HOWARD : DER KUSS
Jan 24 - Mar 17, 2018
Blain|Southern presents Der Kuss, an exhibition of Rachel Howard’s newest paintings and sculptures.
 
The exhibition focuses on internal and external violence, the violence of the mind and the body. Der Kuss, the kiss, is a delicate point of intimate contact, of love or betrayal.
 
The exhibition is divided into two rooms, in the first are paintings of grids and lines, disintegrated surfaces that hint at unstable worlds, entropy and collapse. There are also crashed planes here; based on everyday press images. Howard suspends the image in a pastel haze, transmuting these snapshots into images of universal suffering, or perhaps they are self-portraits installed into a delicate afterlife, where we can look at them forever.
press release

Click to enlargeBRIAN GRIFFITHS : NO NO TO KNOCK-KNOCKS
Jan 24 - Mar 17, 2018
For the third exhibition in Blain|Southern’s Lodger series, the British sculptor Brian Griffiths has drawn on stage- and screen-writing techniques to develop a ‘character’ who will inhabit the gallery’s basement space. Appearing in a series of sculptural situations, often on the point of collapse, or running through some seemingly meaningless protocol, Griffiths’ creation is a tragi-comic figure: a naked, puppet-like Caucasian male who seems not to know that his strings – if they ever held him up – have now been decisively cut. Bald, blind, and with his pink paintwork and wooden body showing signs of wear and tear, this little performer clunks through his part.
press release

WIM WENDERS : EARLY WORKS: 1964 – 1984
Mar 23 - May 5, 2018
Private view Thu Mar 22 6pm - 8pm

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