new exhibitions

176 Prince of Wales Rd, NW5 3PT
020 7428 8940, Free Entry

Thur-Sun 12-6 & by appt

undergroundChalk Farm undergroundKentish Town West

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Jan 18 - Feb 25, 2018
Examining modes of filtering in the post-information age, Coen constructs what she terms ‘evidence-based fictions’ from the spoken words of influential figures. These new narratives play with form and content, highlighting the relationship between visual perception and unconscious control.

throughout the year
Throughout the year, Zabludowicz Collection will be presenting Virtual Reality works in a dedicated environment. 360 gives a unique opportunity to see how artists are experimenting with this new technology in increasingly ambitious ways, creating immersive experiences that defy the conventional logic of film and video and evoke visceral sensations. Artists include Rachel Rossin and Jordan Wolfson. Further details of the programme will be announced in early 2018.

Sep 20 - Oct 21, 2018
Over the past decade, Jordan Wolfson (b. 1980, New York), has created an ambitious body of work comprised of video installation, digital mix media, and sculpture.
Blurring the distinction between the real and imagined, Real Violence (2017) is a virtual reality film where spectators are implicated as witnesses to a context-less assault. The audience watches, without any ability to intervene, as one man (played by the artist) beats another to death with a baseball bat. Rather than focusing on virtual reality’s interactive properties, Wolfson explores the medium’s capacity to isolate and immerse. Typical experiences of violence seen in the news media or on Youtube are often taken for granted. In this installation Wolfson forces the audience to confront their desensitization to real violence and the disempowerment that is inherent to a screen oriented perspective.

Sep 20 - Oct 28, 2018
Josefine Reisch’s works seduce the viewer with haunted textures of the already seen. Working through traditional mediums such as tromp l'oeil painting, portraiture and textile, she creates moments of recognition. She questions the value and validity of European cultural heritage as she reassembles historical moments and figures into jumbled compositions, much like a musical medley. Engaging in a feminist reading of historiography her work triggers new readings and uncertainty within this déjà-vu.
For her solo exhibition titled Celetoids Reisch reflects on how the depiction of female subjects create value, specifically linking two moments from across the centuries, Renaissance portraiture and contemporary selfie culture.

Sep 20 - Dec 16, 2018
Rachel Maclean (b.1987, Edinburgh) has rapidly established herself as one of the most distinctive creative voices in the UK. Creating baroque, hyper-real worlds using green-screen video and computer animation, and playing many of the extravagantly costumed characters herself, Maclean spins razor-sharp fables that combine comedy and horror. Her work offers a powerful critique of contemporary society and its underlying fears and desires.
press release

Sep 20 - Dec 16, 2018
A new commission.

Oct 25 - Nov 18, 2018
American artist Paul McCarthy is known for his provocative performances, multi-media installations, sculptures, and films. His work fuses high and low culture and corrupts conventionally innocent figures from myth, folklore and popular iconography. Religious or fairy tale characters are made perverse and perform taboo sex acts, creating a sharp, yet comical criticism of American mythology and accepted societal norms. McCarthy bombards the audience with a sensory overload, of sexual and violent imagery that often makes viewers feel uncomfortable and stirs controversy.
Commissioned and produced by Khora Contemporary and first presented at the Venice Biennale in 2017, C.S.S.C. Coach Stage Stage Coach revisits McCarthy ongoing series “Coach Stage Stage Coach,” and led to 11 variations of the piece in virtual reality.


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