PROJECT SPACE : SOHEILA SOKHANVARI, PARADISE LOST
Jan 9 - May 13, 2017
Soheila Sokhanvari’s multidisciplinary work weaves layers of political histories with bizarre, mysterious and often humorous narratives that she leaves open to viewers to complete. She is currently a studio artist at Wysing Arts Centre (since 2013), has exhibited extensively throughout Europe and the Middle East.
NATIVE TONGUE READING GROUP #2
Feb 20, 2017 6:30pm - 8:00pm
Anna Bunting-Branch uses science fiction as a methodology to re-vision feminism and its histories, remixing elements from a range of sources to generate new and imaginative resonances. Her work, exhibiting as part of the Jerwood Solo Presentations 2017, draws inspiration from the work of linguist and science fiction writer Suzette Haden Elgin. In a decade-long thought experiment, Elgin crafted a feminist constructed language named LŠadan, which was disseminated through a series of sf novels. The Native Tongue trilogy, published between 1984 and 1994, created a storyworld around LŠadan and introduced this “women’s language” to a community of fans.
To coincide with her commission two reading group sessions provide the opportunity to read and discuss selected chapters from the Native Tongue trilogy. This session is the second. Following the model of feminist small-group consciousness raising, participants will be invited to reflect on what this future-oriented story from the past can offer to present-day feminist thinking, and how Elgin’s visions of the future might be re-imagined in the context our own contemporary experiences.
Participants are asked to read the texts beforehand. To book a free place and receive a PDF please email firstname.lastname@example.org
JERWOOD/FVU AWARDS 2017: NEITHER ONE THING OR ANOTHER
Mar 22 - May 14, 2017
Two new moving-image commissions by early career artists Patrick Hough and Lawrence Lek made in response to the curatorial theme Neither One Thing or Another.
Patrick Hough’s work, And If In A Thousand Years, takes us to the Californian desert, where the landscape was filmed and digitally scanned using LiDAR, to host a Hollywood-inspired merging of authenticity and replica.
Lawrence Lek’s work, Geomancer, harnesses his trademark – the building blocks of computer gaming technology – to set the stage for an awakening of artificial intelligence. This computer-generated ghost in the machine discovers its own autonomy, and ponders the range and limits of its post-human powers of creativity.